Skip to main content

Why Do You Want to Be an Actor?

Why Do You Want to Be an Actor? A Personal Reflection on Acting, Purpose and Empathy

Searching for an honest answer

I recently took part in a mentorship program for actors. Among the many questions that came up, one stayed with me long after the session ended:

“Why do you want to be an actor?”

At first glance, it felt like a simple question — almost routine. But when I sat down to think about it honestly, the answer wasn’t easy.

That’s when I realised that this question has three operative words: Why, Want, and Actor. And each of them deserved to be examined on its own.


Why

I’ve grown up as a movie buff — mesmerised by the magic unfolding on the screen. Films were never just entertainment for me; they were windows into other lives, other emotions, other worlds.

Much later, during my corporate career, I discovered something else — the quiet power of empathy. Empathy towards colleagues. Empathy towards customers. Empathy towards situations that didn’t always have clear right or wrong answers.

That ability to feel, understand, and respond stayed with me. And somewhere along the way, it began looking for an outlet.


Want

This is the trickiest part of the question.

What do I really want? Money? Fame? Power?

I’ve known long enough that these aren’t my drivers. Not because they are wrong — but because they don’t sustain me.

My wants are simpler. To be kind. To meet good people. To keep learning. To grow — slowly and honestly — as a human being.

Acting, at its best, places you in spaces where all of this is possible.


Actor

I enjoy giving.

If I can make someone feel something — joy, discomfort, recognition, or even silence — isn’t that a form of giving?

Actors are uniquely placed to do that. We borrow lives, inhabit emotions, and return them to the audience with something altered — sometimes subtly, sometimes profoundly.

And perhaps most importantly, acting is something I can do for as long as I live. There is no retirement age for curiosity, observation, or feeling.


This is what I believe today.

It may change with time. Experience has a way of refining answers — or questioning them all over again.

For now, this is enough. Let’s wait and watch.

Comments

Popular posts from this blog

Nuggets of Sholay: One - Oont Pahad Ke Neeche

Nuggets of Sholay #1: One Oont Pahad Ke Neeche Nuggets of Sholay #1: One Oont Pahad Ke Neeche (ओँट पहाड़ के नीचे) I must confess, starting this series of Nuggets of Sholay has been immensely joyful. Every line I researched, every scene I analyzed, brought me closer to the genius of Salim–Javed. Muhavra: One Oont Pahad Ke Neeche (ओँट पहाड़ के नीचे) This proverb literally means “a camel under a mountain,” describing something impossible or absurd. In Sholay , this phrase was delivered with perfect comic timing. The story behind the muhavra: Once upon a time, there was a proud and arrogant camel. He strutted around the village, convinced that no creature could be taller, stronger, or more important than him. Every other animal bowed, every human smiled nervously, and the camel’s ego swelled bigger with each passing day. One day, the camel’s owner decided it was time for...

Nuggets of Sholay: Three - Loha Garam Hai, Maardo Hathoda

Nuggets of Sholay #3: Loha Garam Hai, Maar Do Hathoda | Sholay Proverb Explained Nuggets of Sholay — Three: Loha Garam Hai (लोहा गरम है, मार दो हथौड़ा) The third nugget in the Nuggets of Sholay series is another muhavra — and a shining example of Salim–Javed’s brilliant writing. Muhavra: Loha Garam Hai, Maar Do Hathoda literally means “Strike while the iron is hot.” Timing is everything — the English equivalent would be “Seize the moment.” In the film, the line appears around 1h 49m . Girija from Pipri brings word that Gabbar’s nomadic arms suppliers — Hira aur uske saathi — have been spotted nearby. Thakur predicts Gabbar’s next move and says, “ Loha garam hai, maar do hathoda. ” The phrase originates from the craft of the lohar (blacksmith) — who must strike the iron while it’s red-hot. Once it cools, it loses its shape. The brilliance of Salim–Javed Why Thakur uses it: He senses the perfect timing. Who bri...

1/31: Why I loved Pather Panchali (1955)

Pather Panchali (1955) Review | Satyajit Ray’s Poetic Debut Pather Panchali (1955): Satyajit Ray’s Poetic Debut Why on earth had I not watched any Satyajit Ray film till now? Puzzles me. But I'm setting out to watch every film made by the great man. Pather Panchali is my kind of cinema. Simple, yet complex. Subtle, yet bold. Rambling, yet assertive. The story is quite loose and banal, but it is the telling of the story that makes an impact. What drew me to the film is the play of characters, and the attention to detail. Your heart goes out to each of the pivotal characters — Sarbajaya , the forced matriarch; Durga , the dreamy daughter; Apu , the boy turning into a man; and Indir , the penniless beggar. Each of them tells their own story, not through words, but through their eyes and body language. Usually, in a film, you can make out the star of the show, but you can'...