What Sachit Thinks

Apur Sansar (1959) – A Moving Finale to Satyajit Ray’s Apu Trilogy | Film Review Apur Sansar (1959) – The World of Apu The Moving Finale to Satyajit Ray’s Apu Trilogy Apur Sansar , the final film in Satyajit Ray’s celebrated Apu Trilogy , is a tender, tragic, and transformative story adapted from Bibhutibhushan Bandopadhyay’s novels. Ray brings it to life with unmatched subtlety and grace. Apu and His Mother Their separation marks the first emotional blow — a conflict between Apu’s ambition and his love for his mother. Her death leaves a lasting wound. Apu and His Wife Sharmila Tagore as Aparna gives up comfort and wealth to build a life with Apu. Her sudden death is devastating — the sledgehammer that breaks Apu’s spirit. Apu and His Friend Pulu Pulu’s loyalty holds the story together. He guides Apu through every storm — from struggle to marriage to eventua...

Aparajito (1956) – A Tender Portrait of Mother and Son | Film Review Aparajito (1956) – The Unvanquished The Tender Bond Between Mother and Son Aparajito , the second film in Satyajit Ray’s Apu Trilogy , is a quiet yet profound exploration of love, loss, and growing up. It’s a film that makes your heart ache with its simplicity. Sarbajaya’s Transformation From a humble homemaker, Sarbajaya evolves into the pillar of her family. Having already lost her daughter and husband, she devotes herself entirely to Apu’s education and future. Her greatest pain comes not from hardship, but from separation — living without her only son. Apu’s Coming of Age Trained first as a priest, Apu discovers his real passion in academics. His journey to Calcutta symbolizes both freedom and guilt — the guilt of leaving behind his ailing mother. Her death becomes the silent fuel behind his ambitio...

Pather Panchali (1955) Review | Satyajit Ray’s Poetic Debut Pather Panchali (1955): Satyajit Ray’s Poetic Debut Why on earth had I not watched any Satyajit Ray film till now? Puzzles me. But I'm setting out to watch every film made by the great man. Pather Panchali is my kind of cinema. Simple, yet complex. Subtle, yet bold. Rambling, yet assertive. The story is quite loose and banal, but it is the telling of the story that makes an impact. What drew me to the film is the play of characters, and the attention to detail. Your heart goes out to each of the pivotal characters — Sarbajaya , the forced matriarch; Durga , the dreamy daughter; Apu , the boy turning into a man; and Indir , the penniless beggar. Each of them tells their own story, not through words, but through their eyes and body language. Usually, in a film, you can make out the star of the show, but you can't r...